The Curious Case of Mano Erina (Idol Chatter)

The Incredible He-Hulk takes an interesting look at the recent career-moves being made for Hello! Project pianist/vocalist Mano Erina, who in a short period of time went from being an H!P Egg to a cute and humble soloist.  He-Hulk sees two things he finds troubling…

First is the style of music she is putting out.  Is this really the type of idol sound that will endear her to the dedicated H!P Wota?  Diehard J-Idol fans loved to jump, cheer and go crazy, which is a bit tougher with piano pop.  Case in point, I have never seen the fans doing wotagei at a Burt Bacharach concert!  The second issue is the frequency of single releases and all of the different versions.  Couple that with a tireless promotional schedule and it is enough to make the most hardcore fan want to lock up their billfold and grab a nap!

I have personally been critical of Manoeri’s musical style in the past, and this article is a great validation to what I have been feeling.  And I have even noticed the heavy promotion.  Manoeri has popped up as the opening act for just about every MoMusu, C-ute and Berryz show I have attended in the last year.  That said, I think her last single was a great shift to a sound more palatable for your average H!P fan.  And it was the first of her singles I really wanted to purchase.  I am also excited to see how she does as a member of the new Pucchi Moni V.  The original incarnation of that group had tremendous energy.  I have high hopes she can pull it off.

But whether or not you agree with He-Hulks position, it is a well-thought out investigation, and highly recommended reading.