Archive for the 'reviews' Category

May 09 2008

Not Quite Love at First Sight

Another cross-over post. You have been warned. There’s more h!p so it goes here.

I’ve got to admit, I’m kind of brutal with music. When I get a new album or single or whatever, the first thing I do is listen to all of the songs once or twice through and sort them into two categories. Either they go into the NEW section of the “My Music” folder or to the “Other” folder, which is a dumping ground for things I’m not sure I want to get rid of, but I’m not sure I want to keep either. The “My Music” songs in the new folder get listened to regularly until I’m no longer being obsessive about them at which point they are moved to the appropriate permanent folder, sorted by group, where they will still be listened to, but not as often. Songs that go to the “Other” folder are largely forgotten about until something prompts me to dig them up again. When I say I’m brutal about my sorting, I mean it. It’s not uncommon for entire albums to end up in the “other” folder, and even with my favorite groups, it’s rare that more than 3 or so songs on an album make the cut.

That’s not to say that I never change my mind. I will occasionally go back and give albums or songs another chance, just in case, and I usually find some songs that didn’t impress me much on the first listen, but are great on the second. Also, watching a good live performance of a song is often all it takes to change my mind about it. So, out of my more recent diggings through my reject folder, here are some of my “New” discoveries.

Koi Uranai Toori ni wa Naranaiwa- Ongaku Gatas Album
I’m ashamed to admit that I kind of blew off the entire 1st Goodsal album when it came out. Something about Gatas and their music style just doesn’t sit right with me. It might have been Mutou Mika, I dunno, but interestingly enough, she’s the one who inspired me to give this song another listen. I noticed that it is the only song on the entire album where she has any sort of solo line (for a grand total of 5 words), and I wanted to hear what her voice sounded like. Not surprisingly, she’s no Ayaya, but surprisingly, I found myself liking the song. Not the best singing (it’s all the eggs), but it’s got a nice melody.

Fight All Night, KT-
I was resisting this song for a very long time for a very dumb reason; I think the title is stupid. There are several songs I have excluded from my files over the years because I’m embarrassed to listen to something with such a lame English title (MM’s ‘Nature is Good’ comes to mind). However, on reassessment, I’m forced to admit that the part in the beginning where they kind of computerize a few words of Jin and Kame’s voices is rather cool, and they don’t say “Fight all Night” that often, so I have begrudgingly promoted it to the My Music folder.

Dekiru Onna, MM (c/w to Ai Araba)-
B-sides are always at a big disadvantage when it comes to making the list, especially when they are the coupling for a single that I really like. I love Ai Araba so much that almost any coupling track would pale in comparison. So, I brushed off Dekiru Onna as being too slow and kind of strange and forgot about it….until the Sexy8Beat concert. The girls were all sweaty and lethargic, and somehow it was the sexiest performance of a concert with the word “sexy” right in the title! The last line where Rika (Aika in the concert) gets cut off is awesome. This isn’t standard MM, but it’s certainly worth more than one listen. 45 second performance clip! Short for easy viewing.

Online Videos by Veoh.com

Rock You- Arashi, TIME album
What a deceptive title. There’s nothing “Rock” about this song at all. Without a doubt, it was the live performance from the TIME concert DVD that made me like it. Turns out that while I don’t care for the chorus much, I LOVE the verses. The song starts with the chorus, so I probably stopped paying atention at that point when I first heard it. I really hope that this is an Arashi album track that they’ll be bringing back sometime. Also, I like the little Ohmiya moment in this song. You can see better in the larger version, but I swear, Nino has a certain way of smiling that you only see around Oh-chan. Doesn’t he look downright proud? Anyway, this part of the song is really nice, isn’t it? 30 second clip!

Online Videos by Veoh.com

Sayonara Hageshiki Koi, Berryz-
It is a mystery to me why this song didn’t make it through the first time around. Did I accidentally skip it or something? I watched the “Welcome Berryz Kyuuden” concert and was like, “What is this song?? It rocks!” You know, it might even be my favorite Berryz album song now. I’ll have to think about that though…

I suppose the lesson here is that it might be worth your time to give songs a second chance. Something that didn’t really grab you at first may end up becoming one of your favorite songs!

 

Keep on Rockin’,

~Celestia~

One response so far

Apr 12 2008

Resonant Blue: Another Version, Thoughts

Published by celestia under Momusu, reviews

Having already claimed the distinction of being the first to post the “Another Version” of the Resonant Blue PV, I figure I’ll attempt to be the first to write about it too. I suppose this is the sort of redundant thing the poll tells me I should try to avoid, but I’ve developed a weird sense of ownership for the PV, and a little occasional redundancy never hurt anyone.

*Let’s get the mandatory, “Why the hell isn’t this the regular version of the PV instead of that dance shot version?!?!?” whining out of the way. Expect to see much more of that coming from every direction. It’s a valid point. They shot all this great footage and then didn’t put it in the official PV…why? I wonder if Tsunku or someone will ever explain that one for us.

*Lots of Reina focus. Maybe it’s because she can pull off the ‘urban’ thing the best? She looks great, so I’m not complaining. There’s also a fair amount of Gaki. Again, not complaining

*Way to put the two Chinese girls in a Chinese restaurant. *rolls eyes*

*Love the studio shots, and looking forward to the studio version. It was a smart move for Risa to wear bright green. It makes her stand out.

*The best shots are the ones with each girl (or pair) staring at the camera angstily in front of her backdrop. Panting, sweaty, Ai-chan is especially hot

*Is anyone else reminded of AKB48’s prostitution song by the ‘Reina in a tunnel’ shots?

*I really love the part during the instrumental interlude where they’re doing a ripple and then it cuts to JunJun in the studio doing it

*LinLin has been doing the pigtail thing a lot. I think it’s the designated hair-do of the least popular member. First early Risa, now LinLin

*Koharu looks gorgeous, damn her.

Audios, Bye Bye, Chacha,

~Celestia~

6 responses so far

Mar 31 2008

Nenjuu mu Kyuu Concert Review

Published by celestia under Momusu, berryz, c-ute, reviews

Why didn’t anyone tell me that the Winter h!p concert DVD came out!?!? Actually, I’m glad I didn’t know or I would have spent my entire trip dying to make a break for our van so I could drive back to school and watch it immediately. Since I like doing concert reviews and I favor Wonderful Hearts, here’s a review of the Wonderful Hearts side of things. Just for fun, and because I like to make everything a contest, I’ve declared ‘winners’ of each song again.

Aozora ga Itsumademo, All- Their fairy costumes are awfully cute (only Momo could pull off a pink bow that huge). I am so tempted to line all of them up and rank them by how much I like their fairy costumes, but that would be a lot of work for a group this size, and I suspect that the results would be boring to most. As for the song, I’m a little bit ‘meh’ about it. I mean it’s fine, but not something I’d choose to pump up the crowd and open a concert.
Winner: Risako. She got the first close-up, she looked like she was about to cry for some reason, and it intrigued me. With this many girls on stage any of them who manages to catch my interest is a winner as far as I’m concerned.

Renai Revolution 21, All- As soon as the solo lines start, it is clear that they are not lip-syncing, thank God. I was so very disappointed when the entire summer concert was lip-synced. I love that Aika gets the “hoi!” line.
Winner: Risa. She is always super into the song no matter how many times it’s performed, as evidenced by the great facial expressions in her numerous close-ups.

LALALALA Shiawase no Uta, All- One or two listens and I’ve heard enough of this song to last me a lifetime. Not only that, but I REALLY hate the dance. The girls are trying to look enthusiastic about it, but whether it’s Cute or all of Wonderful Hearts, you can tell most of them are as bored as I am.
Winner: Momoko. She is one of the couple who didn’t look bored (the other being JunJun), and the mega-bow pulls her up to first place.

Tokkaiko Junjou, C-ute- Hehehehe, Tokkaiko Junjou in floofy fairy costumes. I love the idol world. Their dancing looks a little tired, which is sort of understandable since it’s a demanding dance and they’ve performed three songs in a row already. The singing is good though. Even Saki was hitting the right pitches.
Winner: Airi because it’s so hard to notice anyone else in this song. I think it’s one of her better performances of this singing-wise too. Her voice sounds a bit fuller and deeper than usual.

Various Kirari Crap- I mostly skipped through this. If you’ve seen one Koharu solo performance you’ve pretty much seen them all. Next.
Winner: The backdancing eggs. Surely you didn’t expect me to give it to Koharu?

Tsukatta ni Kataomoi, Berryz- You know, this song has grown on me a lot since I first heard it. It’ll never be my favorite, but I can see it showing up on my playlist on occasion. I don’t know if this was their best vocal performance though. A few of the solo lines sounded kind of rough.
Winner: Momoko! Yes she sounds unusually helium-tastic when singing this song, and I know that annoys some people, but I think it’s completely adorable.

Kohaku no Funsui Hiroba, Berryz- Love the song, but Risako’s singing almost ruined it for me. She sounds good singing peppy or angry songs, but on a slow ballad, the tone of her voice just isn’t right at all, and somehow it sounds especially out of place in this particular performance.
Winner:
Miyabi. She looks elegant and sounds great (as usual). Of the leads, Momo is a bit too cute for a song like this, Yurina keeps smiling and ruining the mood, and Risako is too shouty, but Miyabi’s voice is just right.

Mikan, Morning Musume- I like the look of their little square formation spread out up the stairs at the beginning. You can see everyone, even the mysterious and elusive 8th gen. Why the hell did Gaki and Kame lipsync in their TV performances again? They are more than capable of singing those ‘so short if you blink you might miss them’ solo lines.
Winner: Reina. “Oh yeah one TIME!!!”

Sexy Boy, MM- Hurray! It was quickly dropped from the BonKyu concert when they subbed in Mikan, so I’m glad that rehearsing Sexy Boy wasn’t a waste of time for them, even if all the somber pointing at the beginning is a bit odd. On the positive side, Sayumi’s high pigtails with the little bows combined with her costume makes for an almost lethal dose of cuxyness, and JunJun’s pose at the end was great. JunJun seems to be getting at least a tiny bit more camera time lately, and I highly approve.
Winner: Ai-chan. Her little, “A-ah” booty drop move always kills.

Odore Morning Curry, MM- What a silly song. It’s still fun, but just not the same without Yossie.
Winner: Sayumi and the butt-shaking/shimmy move around 2:15. What was I saying about dangerous levels of cuxyness?

Renai Rider, Buono- Love the song, but they’ve done much better performances of it. The group parts in the verses sound shrill. I believe this was the first debut of the song though, so they probably hadn’t had much practice with it yet.
Winner: Airi. She sang the best. Maybe you don’t like Airi, but there’s no denying that she’s consistent with her singing.

Seishun Love Lunch, Athena and Co.- I never thought I’d hear them sing live. Guess they proved me wrong. I love this group and everyone in it; I just wish they weren’t centered around such a lame anime.
Winner: Chisato. Chances to hear Chisato sing are few and far between, so let’s enjoy this moment.

Robokiss, Sayu/Risako- Good to see that W songs are no longer being held sacred. Overall, I was pretty impressed with the performance. Risako sang well, and Sayumi was really hamming it up with her wide-eyed innocent expressions and ‘dance moves’. She is truly the queen of exaggerated cuteness.
Winner: Sayumi!!! She’s absolutely perfect for this song.

Aa~in Dance no Uta, Eri/Lin/Jun/Maa- Okay, so they’re no MiniMoni, but no one can be MiniMoni but MiniMoni, and I’m just glad to see this song performed again.
Winner:
LinLin. This is like the song version of LinLin. Spastic, bizarre, and yet somehow charming.

Chokkan 2, All- I just don’t like this song, so I’m not going to comment on it.
Winner: Eri. Her solo line took me by surprise. She’s become quite the singer in the last couple years, hasn’t she?

Everyday Everywhere, Ai/Reina- The world needs more Ai/Reina duets. Damn they both look hot and sound great. When compared with the rest of the concert, the song is in a whole ‘nother league of difficulty and vocal talent.
Winner: Reina. Not that Ai-chan wasn’t great too, but it’s rare to hear Reina drop the cutseyness and uses her big girl voice. Who knew she could hit notes like that?

Everyday Yeah Kataomoi, Saki S/Mai/Kanna- Whoa, it’s like VUDen Jr, with one girl in the middle singing most of the lines and wearing a different costume than the two girls flanking her. Is MaiMai the future Rika Ishikawa? More importantly, is Kanna the future Yui? Perhaps a swimsuit photobook would help test that theory? Aika first though.
Winner: Kanna. There’s just a certain hidden sassiness about her that comes out even in a song like this, and she’s become a much better singer than she’s given credit for.

Oujisama to Yuki no Yoru, Erika/Maimi/Yurina/Chinami- Great costumes for the song. I really enjoyed this.
Winner: Maimi, I wanted to give it to Erika, but Maimi sang better and she had the prettiest costume.

Renai Sentai Shitsu Ranger, Ai/Gaki/Eri/Sayu/Reina/Mittsi/Momo/Sako/Miya- Oh no! The costumes on Gaki, Mittsi, Momo, and especially Miyabi are AWFUL. The song is cute I guess. I’d almost forgotten that it existed.
Winner:
Ai-chan. Her solo line towards the end is the only notable part of the performance.

Meguru Koi no Kisetsu, C-ute- A good energetic performance.
Winner: Maimi. She looks so happy that it makes me happy too.

Omoitattara Kichi desse, Berryz- This seems like an odd choice to include in the concert, but that aside, it’s cute, and I suppose it’s refreshing to hear a song that’s not performed very often. Many of the solo lines go to the three forgotten Berryz which is also a nice change of pace.
Winner: Momoko. She’s just too cute!!

Special Generation, Berryz/C-ute- I wonder, are Berryz just tired of performing this song by now? C-ute seemed much more enthused. Maybe they’re just mad that they have to share their song. Oh well. I still quite enjoyed the performance. Apparently Airi=Miyabi, Maimi=Risako, Nakki=Momoko, Mai=Yurina, Erika=Chinami, Chisato=Maasa, and Kanna=Saki, in case you were wondering.
Winner: Nakki. I think my eyes nearly popped out of my head during the close-up of her dancing at the beginning.

Bonkyu Bonkyu Bomb Girl, MM- Why do I like this song so much more now than when I saw it in the concert named after it? Maybe it’s because I’m not being distracted by huge gold dresses or awful yellow and green fluffiness?
Winner: Risa for her “Yow!” toward the beginning (she sounded like a cat) and the cool crescendoing “happyhappyhappy” part.

Go Girl Koi no Victory, MM- Weak performance. Come on girls, put a little more spirit into it!
Winner: Dunno. Didn’t really spot any stand-outs.

Handmade City, All- Still not a huge fan of this song because the verses are set too low, but it looks like it’s around to stay. That said, I think the vocals in this performance were better than the Bonkyu concert, and the scarf waving thing looks good with more people.
Winner: Eri. Again, she handles Miki’s lines confidently, and maybe even better than in the aforementioned Bonkyu concert. She can hit that low range without sounding manly unlike some girls. Hint: starts with an A and rhymes with ‘tailakabashi’

Nanimo Iwazu ni, I Love You, All- I love this song! I think it’s a great end to the concert, sappy and powerful without being sad, and good for evoking an emotional response. Also, it’s well suited to the large choral arrangement (I believe the original lineup actually performed it in semi-chorus robes one time). It is not well suited to the three buxom ladies of questionable vocal talent who make up VUDen, but that’s another issue for another time.
Winner: Ai-chan. Very nice introduction and harmonizations.

If I take it to the next level and try to figure out who ‘won’ the concert, it looks like a tie between Ai-chan and Momoko with three victories each.

Oh man. I still have so much to catch up with. There’s blog entries to read, two more concerts to watch, audio rips of MM’s spring concert to listen to, and half of a DVD magazine still to watch, and that’s just the bare minimum as far as this side of my fandom is concerned. That’s a long to-do list, albeit a very pleasant one.

Keep on keepin’ on,

~Celestia~

One response so far

Mar 13 2008

Resonant Blue PV: Initial Reactions

Published by celestia under Momusu, reviews

When the Mikan PV came out I posted a short list of positives and negatives, so I’m going to do the same for this one.

 
=)

 -The costumes and dance are very sexy in a kakkoii way, and not the least bit cheesy. It’s kind of thrashy like Shabondama, and I love Shabondama’s dance

 -Everyone looks hot, and as much as I hate to admit it, Koharu is looking really good

 -From the short glimpse of LinLin we get at the beginning, I believe that she’s wearing thigh-high fishnets

 -The dark blue lighting is cool and sets the mood well

 
=(

 -I’m tired of whining about unfair line distribution…but, the only ones who get any solo lines (except for a couple of “whoa whoa’s” by Gaki and a shouted part by Sayumi) are Ai-chan, Reina, and Koharu. I suppose it’s intentional that their costumes have white in them while everyone else is wearing all black, but it really trivializes the rest of the group. It’s rather Mr.Moonlight-esque in its execution.

-8th gen is especially invisible. Eri/Gaki are paired on the “ne ne dakedo” parts, and Sayumi has one shouted line at the end to remind us that she’s there, but all of 8th  gen could have been replaced by some other girls with similar hair and no one would notice

 -They seem to have trimmed the budget further by making the entire thing a dance shot. Really. There’s only one kind of shot. How much cheaper can they get? I’m sure the close-ups would have been hot too.

 

Best Wishes,

~Celestia~ 

12 responses so far

Mar 10 2008

3rd Love Escalation- Review

Published by celestia under c-ute, reviews

I said I would write a review of C-ute’s new album, 3rd Love Escalation, and I would never break a promise to you all, so here we go.


Overall-

I’m a bit disappointed. There are some good things, but overall I think it’s too safe. Aside from one particular track, the new songs lean heavily toward the generic. It’s not bad, but I think that C-ute’s other albums are both better. Also, I don’t know how it escaped my attention that none of C-ute’s major singles had been albumized before, but this album has all four of them. Four singles on an album with only 10 tracks makes for not very many original songs, which is kind of to be expected from a h!p album I guess, but I was still a bit sad. I do appreciate that they’ve continued with having each member participate in either a duet or a solo. It gives us a chance to hear some of the less utilized voices in the group. Here’s a track by track review of just the new material.


2. Image Color- Airi/Maimi

Honestly, I expected better from the group’s two main singers. There is nothing the least bit vocally challenging in this song. An Airi/Maimi duet should be spectacular, and this was just kind of forgettable. I swear, Airi almost sounded like Nakki at some points, and that’s not a good thing. The song reminds me a bit of ‘Aozora ga Itsudemo..etc’ so if you like that one you might like this. Rated so low not because it’s really that terrible but because it should have been SO much better. 1/5


3. Otome Kokoro

This one is slower, and glory-be, I can hear a fair number of Chisato lines! It’s a nice, relaxing sort of song, with a pretty chorus. A bit boring, but I rather like it. The image I get is of the girls lying on their backs in a nice sunny meadow somewhere looking up at the clouds. 3/5

5. Honmerare Nobiko no Theme Kyoku

This is my favorite of the new group songs. Once again, there are Chisato lines which is worth an extra star right there. The song it’s self is more dancey, kind of in the style of Bishoujo Shinri (but not as powerful). It’s pretty catchy, and they didn’t forget the hooks this time, but I feel like the tempo should have been just a bit faster. It would have given it more energy, and the song runs out of steam by the end. 4/5


6. Sweeeets Live- Chisato/Kanna

The intro starts out with an ethnic sounding beat, and then some computerized effects, giving me hope that this will be an interesting song. Then the verses start, and I am utterly disappointed by the lack of actual singing. The verses are kind of monotonal and ‘talked’ through, much like a Koharu song. It’s just a crying shame to give Chisato and Kanna a Koharu-style song, because they both deserve better. They sing quite well, and the chorus is okay, but neither ever get a chance to really open up and sing. “Bokura no Kagayaki”, with the awesome Chisa introduction, was so much better. This is the second biggest disappointment on the album, after the Airi/Maimi duet. 2/5


8. Hare no platinum Doori- Mai/Saki

I was actually pleasantly surprised by this one. It’s really about as good as it could be, being a Mai/Saki duet. I think those girls voices are too similar for them to be paired for duets, but maybe that’s just me. The sound is really old-fashioned, like golden age of idols old-fashioned. Well, it’s not great, but the melody was nice enough, and it could have been a lot worse. 3/5


9.Do don ga don ondou- Erika

Just when I thought this entire album was utterly boring and safe, Erika comes along and saves the day with her tribute to that Odoru 11 song. Is Erika trying to show more personality? Because I fully support that idea. Behind all the silliness and childishness there are some strong vocals. Erika’s singing really has improved. She might just be moving up in my C-ute ranking soon. 5/5


I wanted to love this album, but I was left feeling a bit ho-hum about the whole thing. Maybe I’ll like it better when I hear the songs in concert.

Whatever,

~Celestia~

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Feb 16 2008

Aki BonKyu, Concert Review

Published by celestia under Momusu, reviews

The title rhymes if you say it right! At long last, I can watch the Bonkyu Bonkyu Bomb concert! Hope you like overly-long reviews! What can I say? Getting to watch a new MM concert is like Christmas for me, and I tend to get a bit carried away.

Overall, I feel that concerts in the Saitama Super Arena have a bit more spark on the recording (probably it’s the other way around if you’re actually there), but I still really enjoyed this DVD. This concert is full of highly energetic songs, and you can tell how hard they’re working by how…er..damp they are by the end of it. It was wonderful really get to see China-tachi in action, and I love them even more now. PLEASE someone give them more lines in the next concert. LinLin is a great performer. She looks like she’s been doing this for years. JunJun is a bit unpolished, but she’s all the more adorable for it, and she looks so very joyful when she’s performing. Mittsi looks more confident than she did in the Sexy8Beat concert, and she’s more in-tune, though she still needs to learn to breathe right while singing and dancing at the same time. Also, her new haircut is great. Koharu was…Koharu, but not a particularly annoying version I guess. Reina and Eri have both had to step up and take a lot of Miki’s old lines, and they prove here that they’re plenty capable of handling that. Sayumi is still growing prettier by the day, and I’m still jealous of her beautiful hair. As always, Risa is a wonderful little ball of energy at concerts, and of course Ai-chan is there to hold down the fort with the challenging vocal lines. What I really like is that throughout the concert you can get a sense of the girl’s close friendship by watching how much they interact. It’s been said that the current lineup gets along better as a whole than MM has for years, and I think that’s probably true.

Just for fun, I’m going to declare a ‘winner’ or standout performer for each song in my reviews. Oh, and I’m only writing about the MM parts of the concert, because I’m not into VUDen.

BonkyuBonkyu Bomb Girl- I like this one on stage because the “yeah yeah” parts are really cute. Actually, the whole song was much cuter than I expected it to be. Ai-chan sounds squeaky and little-kid like on her spoken parts, and I’m not entirely convinced that it was really her voice coming out of her mouth. Maybe Momoko was hiding backstage with a microphone? They also definitely should have started off the concert with better costumes. Winner: Aika, for her line sounding far better here than it does on the recorded version

Mikan- Singing was fine. The more I hear this song though, the more I feel that it’s lacking something. The girls are trying to put a lot of energy in it, but it comes off a bit empty every time. I don’t think it’s their fault. It’s just something about the song. Hmmm. One thing I noticed is that you can really hear LinLin’s voice in the 3-person parts with her, and she sounds very good. Winner: LinLin, for the previously stated reason

Handmade City- Meh. This isn’t my favorite performance because I think a lot of the song is a bit too low for them. Risa sounds good in that register and Eri does an admirable job of handling Miki’s old part, but Ai-chan is sounding a bit manly. Oh, and did they get the towel waving idea from Erika or what? At least they lost the ugly dresses. Winner: Risa, sounds great, looks sexy and confident

Please!Jiyuu no Tobira- Love these costumes. I especially enjoyed all the lines sung in pairs. Risa and Aika were super cute together. Winner: Ai-chan for her great-sounding “Watashi” line, lovely emoting at the very end, and because she looks smokin’ hot in the costume.

Kanashimi Twilight- I love this song, especially live, and this performance is no exception. Even better, Aika sang her solo line live, and while it wasn’t as strong as it could have been, she didn’t go horribly out of tune! That’s proof of progress right there. Eri once again nailed her Miki hand me down line, and Ai-chan was excellent on Yossie’s solo. Performances like this give me more confidence that Morning Musume can still kick ass without Yossie and Miki. Winner: Reina for sexily owning the opening lines and surprising us all with her alto singing

Chance- Forgive me, but I am opting out of reviewing this. It would have gotten ugly.

Suki na Sempai- As expected, JunLin are absolutely adorable. I’ve heard better performances, singing-wise, in some of the fan-made concert recordings, but that’s not to say they sang badly, just a bit shaky at points. Given their extremely limited number of solo lines in other songs, I’m really really glad that they got to do this duet. Winner: JunJun for overwhelming cuteness

Shianimuni Paradise- Interesting. They are wearing headmics, but they’re not lipsyncing. You can hear them get a bit out of breath at the end. Time to drink, I guess (see drinking game post). I enjoyed this a lot, because instead Miki looking like “Oh gawd. Do I really have to do this lame dance move?” we have Eri who executes them with flair. It’s a much more joyful performance than we got with injured Ai-chan and ‘too cool for this’ Miki. The singing might not be quite as good, but it’s way more fun. Also watch for the funny facial expressions from Reina. I have a feeling that we’re going to see this song performed at h!p concerts for years to come. Winner: Eri, because she’s the only one who had to learn the song from scratch for the concert, and because she looks so weirdly cute doing that corny dance. I almost wish she’s been the one in the song from the beginning, but then we would have missed out on her duet with Aika, and that would have been a real shame.

Ikimasshoi- I like the Hawaiian outfits and the bouncing on the trampoline, but it was lipsynced, and therefore 100x less interesting. The song doesn’t even have a good dance to make up for it. What’s with the slow shuffling around while swinging their arms like chimps? Also, why was Reina blinking so much (not winking, but rapidly blinking in a concerned sort of way) Next. Winner: Koharu because her hyper/craziness matches the song

Otoko Tomodachi-Kyaaaa! Aika is sooooo cute!!! She’s almost cute enough to distract me from how dumb the heavy black boots look with that dress. I’m surprised and a bit perplexed by her getting to perform a solo so early on in her career though. Perhaps it’s to put her on more even footing with Koharu? It’s also interesting to see VUDen doing the backup dancing, since usually it’s the younger members doing that part for one of the more experienced members. Anyway, her singing is okay, but not near as good as she’s capable of. She gets tired at the end, but again, improvement since Sexy8Beat is shown, and she’s sooo cute and so likeable that I am a bit more forgiving of her live singing skills. If the goal of this performance was to make me love Mittsi even more, it has succeeded.

Gyutto Dakishimete- Well, you know. It’s Ai-chan. It’s a ballad. It’s a formula for a lovely performance, if nothing particularly memorable.

How do you like Japan- Love this song in live performances. I preferred the Rainbow7 concert version to this one, but it was still very good. Yay for JunLin finally getting solo lines in a group song (first time in the concert so far). I also loved how Sayumi spat out her lines. It’s so fun to see her acting all tough once in a while. Risa owns them all when it comes to this song though. Winner: Risa all around. The song is made for her, from the Engrish introduction to the final chorus.

Shabondama- An excellent performance, one of the best I’ve seen of Shabondama not done by its original lineup! Reina, as usual, sings better in this song than she does in any other. Why oh why can’t she sing like that all the time? Sayumi sounds unusually distressed. I like it! LinLin showcases her “oi!”ing talent previously seen in the Special Generation performance at the newcomer’s concert. Eri sings the ‘Whoa whoa whoa’ part better than Aibon did and maybe even does the monologue better than Rika did. Is it sacrilege to say that? ‘How do you like Japan’ was sort of the warm-up to get everyone pumped for this one, I think. Winner: Reina. Reina cannot lose at Shabondama. There’s just no contest.

Nature is Good- The whole ‘nature is good’ line makes it hard for me to like the song much because it’s so very cheesy. If they ever redo “Captain Planet” (and they should because that show was awesome!) this could be the theme song. Captain Planet was full of horribly cheesy lines. I also don’t like the song much because the dance looks like they’re directing traffic. Anyway, it was pretty much a Reina/Risa duet. I guess it makes sense since neither of them got a real solo or duet performance. Since it’s not really a group song, I’m not going to pick a winner. Also, remember kids: The power is yours!

Ambitious- Oh no, two songs that I don’t really care for in a row. Oh, but they’ve changed to those blue and white costumes that I love, so it can’t be that bad! Uh… I hate what this song does to Reina’s singing, and having just witnessed Shabondama as proof that she can sing well when she wants to, I can only assume she’s doing it on purpose. Another problem is that Ai-chan’s voice again turns manly in the lower registers. I do like the Jun/Eri combo lines. Their voices sound really nice together. Winner: Sayumi. Every time she does that former line of KonKon’s, she sounds a bit stronger. Good for her.

Go Girl Koi no Victory- Not the most energetic performance of this I’ve ever seen. It feels a little flat, but they’re near the end of a rather long set, so I guess it’s understandable. LinLin still looks energetic at least. How to pick a winner in a song without solo lines? I guess I’ll just have to go with whoever looks the cutest. Winner: LinLin. The dance suits her, and she looked the least like she was about to collapse

Love and Peace- Miraculously, the girls are revived by the madness that is Love and Peace! Everyone seems to be having fun here, which also makes it more fun from an audience perspective. Due to the nature of the song, it’s full of cute/tender/funny moments. Reina’s over-the-top cutseyness is right at home here, Risa’s manhandling of Sayumi is quite funny, and I especially enjoyed all the faces Koharu pulled. She would have won if it hadn’t been for… Winner: JunJun, for her surprise kiss attack on Ai-chan and how very pleased with herself she looked after she did it

Hello to You- Encore time! Bring on the the eyesmartingly awful costumes! Looking at all of them on stage at once is painful. Really, it’s bad. As for the song, I’ve heard some mixed reviews, but I rather like it. I think it’s a good anthem for h!p, and their old one was starting to sound a bit dated. Does anyone have any idea what the wota are shouting between lines? I can’t make it out, and it’s bugging me. Winner: Ai-chan. She has the only part of note, and she sings it well.

Onna ni Sachi Are- Eri nails her solo part. She seriously kicked that solo’s ass. Chinatachi also sang well. Definitely a good performance and a strong finish to the concert. Winner: Eri

Most Improved: Aika. She lost a lot of my affection with her poor showing at the Sexy8Beat concert, and it took quite a while for her to gradually earn it back. Since that time, she has blossomed into a high-caliber idol. Aika came into MM full of so much raw potential, and it’s been wonderful to watch her grow. She still has many things to work on, but with her strong work ethic, great figure (already at such a young age), and natural charm, she could be one of MM’s main attractions someday.

Best Overall: Eri. I think of Eri as the girl most likely to blend in with the crowd, neither standing out as particularly weak nor particularly strong. In this concert, however, she did stand out, and in a good way. She has shouldered a lot more singing responsibility in this new Morning Musume lineup, and she’s handling it beautifully all while looking equally beautiful. Eri is known to be a bit inconsistent in lives, but I hardly heard her hit a single bad note in this concert. Congratulations to Eri for proving that she deserves my attention.

Favorite Performances: Shianimuni Paradise, Shabondama, Love and Peace

I am in the process of making a bunch of screen-caps of the concert, but I’m going to save those for the next post. I think this one is long enough as it is.

Goodnight All,

~Celestia~

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Jan 12 2008

Athena and the Lunch of Love

Published by celestia under Momusu, c-ute, reviews

Does the title sound like the start of a good story? Because it’s really not. I just feel like I haven’t updated in a while. This is because not much has been happening in the H!P world lately. I know there is going to be a massive wave of releases soon, but for now, I’ll just have to tide myself over with the recently released Athena & co PV. Here’s a link!

http://www.dohhhup.com/movie/vdDB5SXNb96jjSW9HUVdaPA26bpZ4aLs/view.php

It’s nothing too spectacular, but I wasn’t expecting anything too spectacular, and it was much more interesting than their first PV since they had props and multiple scenes this time. They did some cute things with the props like Saki feeding something to her hot-dog octopus, Chisato attempting to flip the (burgers? pancakes?), and the last shot of Gaki-san playing with the little anime character things was precious. The Minimoni feel is stronger than ever in the PV. Four girls? check. Plaid uniforms? check One girl wears a costume that really stands out? check Cute cartoonish house set with cooking/playing with food (see minimoni movie) check Cute childish song? check check checkaroo.

As for the individual girls, Risa really sparkled in this one. I can’t think of a better word for it. She was just plain sparkly. Her smile could melt formica. Aika was adorable as always, and the two C-ute girls seemed to work the camera a bit more than they did in the last PV. I was especially impressed with Saki for looking very very pretty (not just cute, pretty), and appearing quite lively and interesting. I still love Chisa’s voice, but she still looks a bit more awkward in front of the camera than the others.

For the personal update part, I got presents from Japan! I regularly correspond with the host family I stayed with four years ago, and today I received a big box of gifts from them for New Years! Yay!

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Dec 29 2007

Aki Houkago no Essence Full Review

Published by celestia under c-ute, reviews

Here is the promised review of C-ute’s latest concert tour “Aki Houkago no Essence”. If it seems like I’m focusing on some parts more than others, it’s because I am.

The concert opens with a nice performance of “Tokaikko Junjou”, though I have yet to see a bad performance of that song. Kanna mouthing “are you ready” at the beginning is the best part, but what I’m more inclined to pay attention to are their awesome costumes. Seriously, they’re wearing some of the best costumes I’ve seen from Hello Project in years! I especially like Nakki’s. Speaking of Saki, she gets the award for “most enthusiastic” this concert. I love watching that girl dance, because even if Maimi is technically better, Saki always looks like she’s having a blast out there.

http://img232.imageshack.us/my.php?image=1193989294qa4.jpg

I question the wisdom of putting “Meguru Koi no Kisetsu” next, because that’s putting two very demanding dances back to back, and you can tell they’re out of breath. Next is “Sakura Chirari”. All 3 of their major singles in a row in reverse order?? Anyway, C-ute’s first single bores me, and it probably always will. Shuffling in place on stage does NOT count as a dance.

The transition to “Endless Love” is nice. Fortunately, this song does have an enjoyable dance, and I am impressed by how Mai handled her lines, though I remain confused by her having so many of them in a song this mature-sounding. I kind of dislike the song itself though, since it’s recycled T&C Bomber material. Good thing C-ute’s getting a new album so they can have more songs of their own to perform.

The next number, “Time Capsule” is a Maimi/Saki duet. Bring on the only song in C-ute’s arsenal that bores me more than “Sakura Chirari”! It doesn’t help that Miss Saki is not sounding her best here. So, overall, this section is not my favorite part of the concert, but don’t worry; it gets better.

It’s Buono time! <3 Momoko and her speaking voice. I'm quite tickled by the thought of Berryz leads as guests at a C-ute concert. I do like Berryz, but I think C-ute deserves a bit of revenge for playing 2nd string to the Berryz for so long. It broke my heart a little bit when C-ute was being interviewed, and they talked about how they all attended Berryz Kobou’s first concert and cried the whole time. I doubt Momoko and Miyabi are humiliated or anything, but I do wonder if it stings a little for them to be dancing backup for C-ute during the encore.

Coincidentally, shortly before I watched this I had viewed another C-ute concert DVD. It was their first full concert DVD in fact: Hajimette yo Cutie Show. I couldn’t help but compare the C-ute of today to the C-ute of about one year ago and marvel at how far some of them have come both in stage presence and vocal ability. I can see noticeable improvement in everyone except maybe Airi, and she was already ahead of most of the others anyway, so it’s more like they’ve caught up to her a bit than that she’s fallen behind. I’m going to go ahead and give the “Most Improved” award to Kanna, with Erika in a close second. In their first concert, Kanna can be easily picked out as the worst singer in the bunch and the least confident on stage, but in the more recent show she’s finally holding her own with the other girls. She still looks bit..worried…sometimes, but she’s definitely doing better. Erika has also shown noticeable improvement in vocals. I imagine she’s been working pretty hard on improving her voice. Let’s look at the perfect example from this concert, Erika and Kanna’s duet of “Tsuugaku Vector”. Yeah, Airi did it better, but I’m still going to give these two kudos for doing as well as they did.

http://www.youtube.com/watch?v=5h0xZqFSPeU

Next is “Everyday Yeah Kataomoi”. Aren’t they a little old to be singing this song anymore? Oh well. Just goes to show that you can’t totally take the cute out of C-ute. I like that everyone is wearing a costume of “their” color. It helps you to figure out who is cheering for who when you look out at the glowsticks in the audience. Lots o’ green out there…

Following that, it’s a full group rendition of “Disco Queen”. Awesome! Talk about a song that’s really grown on me. It seems a bit strange to have everyone out there singing what was originally a duet, but I like the look of everyone doing the dance together, so I’m going to give this one a thumbs up.

Bishoujo Shinri is an awesome song, and a nice followup to “Disco Queen”. It’s like they took the dance style and kicked it up a notch. I like how everyone gets lines in the verses, and they all do very well with them. C-ute really is the group with no weak link. They’re not all spectacular, but none of them are bad singers. Airi, of course, does most of the work here vocally, handling all of the difficult chorus lines. Surprisingly, she struggles a little on her first section, though she does seem to get it together by the end, it looks like she’s working really hard to hit those notes. I almost feel sorry for her. Couldn’t they give someone else a line of the chorus to give Airi a chance to catch her breath?

“Massara Blue Jeans” is one of my favorite performances of the concert. The energy goes up another notch from Bishoujo Shinri. I love it when sets build on themselves like this. Maimi stood out the most to me in this number, as she seemed to have energy to spare despite having every right to be exhausted. From watching her, I get the feeling that she really enjoys performing this song. I was rather impressed with her vocals as well, but then it was brought to my attention that she may well be lip-syncing her way though this concert due to having a sore throat. Hmm. Her voice sounded fine while she was talking, but come to think of it, she really should sound more out of breath than she does. It’s kind of sad if she is lip-syncing. I hope she doesn’t have any kind of chronic condition.

Can’t seem to find Massara by itself, so here it is with Bishoujo.

http://www.youtube.com/watch?v=3Y5pgyw5eIk&feature=related

After shedding a layer of costume, Mai and Chisato emerge to sing “Futari wa NS” with Chisato taking Koharu’s lines. This might just be the best thing ever. Attention to whoever makes the setlists for concerts: LET OTHER PEOPLE SING MORE OF KOHARU’S SONGS. I can’t believe how much more I like the song with Chisa singing it instead of “Kirari”. It makes me wonder how many of Koharu’s songs really are good, but I can’t appreciate them with her grating voice smeared all over the music. It makes this performance all the cuter that Chisato and Mai are friends in real life. Wait a minute… is Mai taller than Chisa now?

I’ve already mentioned Maimi’s solo, but to recap: Maimi= too hot to be only 15.

Everyone’s back on stage for the last set. The costumes look suspiciously like they have feathery bustles, but I’m going to let this one go since they aren’t large enough to make the girls resemble exotic fowl. “That’s the Power” is usually a song that I’m fond of, but Erika decided to spice things up a bit by yelling something about towels all the time. I’m not sure if it’s some kind of Japanese cultural thing that I don’t understand, but I found it to be really annoying.

“As One” was good. I had never noticed before, but Maimi and Erika are harmonizing with Airi while she sings the lead chorus part. Is it sad that it’s a novelty for an h!p group to do their own harmonizing on stage? It does seem that some of them are capable, and it really does add something to the show. I don’t see why they don’t do it more often. Also, LoL at Airi always singing “as wow” instead of “as one”.

“Yes Shiawase” is also recycled T&C Bomber fare, so meh. The galloping across the stage is cute I guess. Oh, and Chisato grabbed and kissed Maimi when they were supposed to only be pretending to kiss in a move that will go down in both C-ute history and a plethora of animated GIFs.

I was deeply disappointed that they gave Chisato’s opening lines in “Bokura no Kagayaki” to Airi. The girl has so few lines as it is! Why oh why did you give away some the best lines that do belong to her!?! It’s not that Airi sang them badly, but I was so angry that it ruined the whole song for me.

By the time they get to “Jump” the girls are clearly tired, so it’s not the best performance of the song I’ve ever seen. It really is mean to put a song that requires you to jump up and down at the end of a long set. They give it their all though. I believe that Saki was jumping the highest (which is why she’s the “most enthusiastic”)

Encore! First is “Ookina Ai de Motenashite” with the aforementioned Berryz leads as background dancers. Of course, being “Ookina Ai de Motenashite” it’s adorable, and the addition of Momoko makes it even more so. It’s a Momo kind of song.The final number was “Wakkanai Z”. Not much to say about that one. It’s a good closer.

Whew. That was tiring. Don’t expect any more entries from me for a few days. I need a vacation after this.

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Dec 19 2007

I have journeyed to Kirarin Land and lived to tell about it

Published by celestia under Kirari, reviews

It’s not that I hate Koharu, it’s just that I hate Koharu. Wait. That came out wrong. Let me try again. It’s not that I hate Koharu, it’s just that the sound of her voice when she’s in Kirarin-mode makes me want to hurl my computer speakers across the room and then stomp on them just to make sure they’re really dead. Yeah. That’s better.

Given my innate reaction to Koharu’s voice, I’m not sure what exactly possessed me to download her most recent Kirari album. Morbid curiosity maybe? Whatever it was, I can’t unlisten to it now, so I may as well do a review. I’m rating these songs on a scale of 1 c15.gif (the song is tolerable) to 5 c15.gif ‘s (we are holding a funeral for what’s left of my speakers on Sunday).

Track 1: Happy-

Koharu’s 3rd single, so you’re probably familiar with it. This also just happens to be my least favorite single out on the entirety of Hello Project. The term “musical vomit” comes to mind. She’s barely even singing. Most of the time she’s just kind of shouting at the microphone. I think I have made it clear that I do not hate Koharu, but every time she winds up for another “HAAAAPPY” I find myself wishing her serious bodily harm. Don’t even get me started on the bridge *shudders*. I have a feeling that no matter who was singing this song it would annoy me, but Koharu just pushes it to another level.
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Track 2: Chance

Koharu’s 4th single, mercifully, is a lot less annoying than Happy. I think it’s much better suited to Koharu’s voice, and I’ll have to admit that the song is pretty catchy. I almost like the, “anata yo ne” parts and the “yay!” homage to Koi Kana. Of course, she has to ruin it by baby-talking her way through the chorus. If she had just tried a bit less hard to be cutsey I might like this song.
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Track 3: Olala

Okay, I take back what I said about the verses of “Chance” because Koharu quite literally babytalks the verses of this song. That’s right; there is no attempt at singing whatsoever, just cutesy talking. Ug. She’s 15 years old, not 3. The chorus isn’t too bad, I guess. It’s this album’s first example of Kirari’s preference for choruses that consist almost entirely of nonsense syllables (see “Balalaika”). The whole thing is kind of low-key and forgettable which is probably a good thing, coming from this album.

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Track 4: Himawari

The intro to this song is pretty nice. It sounds very anime, but that’s appropriate. Then Koharu comes in “singing” almost in monotone and ruins it again. I guess having her stick to only 1 or 2 notes is one way to keep her in tune, but it’s still not very pleasing to the ear. Again, the chorus is super-anime, but, listenable. It’s not as much solid-Koharu, which helps, and there are some good guitar bits. I can imagine what this song could have been had Buono sang it. I think it would have fit their style, and they could have sung it sooo much better. With that positive image in my mind, I give this song a good rating.
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Track 5: Konnichi Pa

Holy shit. How can I even describe this song? ‘On crack’ comes to mind, but that just doesn’t do it justice. Let’s see, it’s polka, Koharu is way more hyper/annoying than usual, and she becomes intoxicated somewhere around the middle. I am not joking. The middle is Koharu trying to sing while falling on her ass drunk, and nothing you say can convince me otherwise. If you are ever even the slightest bit annoyed with Kirarin, DO NOT LISTEN TO THIS SONG. It is everything that is obnoxious about Koharu’s singing magnified 1000x. Oh God, please get this song out of my ears!!!
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Track 6: Very Berry Strawberry

Another forgettable generic song made horrible by Koharu’s voice. That’s really all there is to it.
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Track 7: Hana wo Puuun

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Any track with Maimai to cut the Koharuness couldn’t be that bad, though this one puts up a valiant effort. It’s very very very strange, but there’s nothing here that requires Koharu to hold a long note unaccompanied, so despite being weird, it’s relatively non-offensive. Surprisingly, the background vocals are more terrible than Koharu’s, particularly the “Hana hana hana” part at the beginning.
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Track 8: Koi no Mahou Habibi no bi

Repeated nonsense syllable song number 2. I suppose it’s kind of catchy, and most of it doesn’t bother me much. I was almost thinking I could give this one a favorable rating, but then after the chorus Koharu had to do her trademark shouting at the microphone in lieu of singing move, and it all went out the window. Sigh. I had so much hope.
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Track 9: Futari wa NS

Maimai to the rescue again! To be fair, Kirari ballads give Koharu the least opportunity to act cute/hyper, so they generally are not as bad. The song is kind of boring, sure, but with this album, ‘boring’ is not one of main concerns. It’s kind of funny how clear it is from listening to this that little Mai can sing circles around Koharu.
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Track 10: Ramutara

Nonsense sy
llable song number 3! The sound of this song is kind of Arabic, which makes it stand out. Unfortunately, the chorus is one giant Koharu shout-fest. Ramta
TAramtaTAramtaTA… I actually wince every time she hits one of those “TA’s”. Then at the end it’s just one extended TAAAAAAA! I believe that forcing someone to listen to the chorus of this song more than once counts as torture in most of the developed world.
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Track 11: Shiawase Clover

Just when my courage was faltering, when I felt I could not go on and I may not get through one more Koharu track alive, Shiawase Clover came along. The gentle strains of a ballad hit my ears, and I thanked my lucky stars. As I continued to listen, something very strange happened… I started to like this song. Had Koharu’s voice finally robbed me of my sanity? Could it be that her voice, when paired with this song, sounds cute? Was this actually a good song, or was it but a mirage brought on my Kirari-induced delirium? In order to find out, I did the unthinkable. I voluntarily listened to one of Koharu’s songs twice in a row, and I came to the same conclusion. I like this song. God help me, but I do.
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Nov 09 2007

New Berryz PV

Published by celestia under berryz, reviews

http://www.dohhhup.com/movie/W4isxf8V2Dn1znHyjYZLI7r4YTbSn9xX/view.php

Ack. I promise the next entry will be a positive one, but I just can’t let this pass without comment. The PV for Berryz new single, “Tsukiatteru no ni kataomoi” has been released(link is above), and I hate to say it, but Berryz has officially been shafted in favor of Cute.

The main problem with the PV is that it doesn’t match the song at all. I know Berryz has been doing more slow/serious songs lately, but this isn’t one of them, so what’s with the somber formal traditional japanese setting? It looks like it might have been a good setup for a ballad, but not an upbeat song like this! Then there are the costumes, which are in a different direction all together. They’re pretty, but they don’t go with the peppy song or the traditional Japanese set.

The dance is just awful. I have now seen enough knee-flapping (which reminds me of chickens) to last me a lifetime. At least the dance is peppy to match the song, I guess.

If you look at the aesthetics of the PV it gets even more confusing. During the chorus there’s an annoying strobe light/camera flash effect that should come with a “WARNING: May induce seizures” label. The floaty white fabric continues the theme of “doesn’t match the song at all”, and is actually a bit creepy, especially the part where some floats down from the heavens and drapes itself on Risako. It’s like attack of the fabric part 2! At the end, the creepiness is pumped up a notch, when the magical fabric flies the girls to the moon (i’m not making this up). With the fabric floating behind them and their white dresses they bear more than a passing resemblance to ghosts. Actually, if I muted the PV and cut out the dance scenes I would probably think it’s about some kind of female ghosts haunting an ancient temple and mourning their lost love.

I’ll end with the positives. I think that everyone gets at least one solo line, Risako looks especially mature and lovely, the set’s nice (but not for this song), the song has some catchy hooks, and I love Momoko’s solo lines. I always love her voice, but in an anime-sounding song, her anime-sounding voice works especially well.

Sorry Berryz. It’s clear who Tsunku and UFA’s current favorite h!p kids group is, and it’s not you. web counter

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