I was strolling around Tokyo Big Sight, waiting to use my Slot 2 tickets at the SKE48 handshake event, when I saw I had an email from the ticket center. Hmm, I had a funny feeling I might be winning something soon. I noticed immediately that it wasn’t a win, but a cancel machi. Figures. I then saw the cancel machi number, 137. Yeah right, like I have a chance in hell winning with that number. After all, this is a brand new stage, it is a weekend show, and I haven’t seen the cancal machi go that high in a while. Still, I decided I would go and check it out. Even if I didn’t win, I could catch some of the show on the monitors until I left for my backup plan, to see FESTIVE in Ikebukuro. Also, I firmly believe that you get a few ‘brownie points’ for showing up for cancel machi even if you don’t win. I mean they do take down the names and numbers of everyone who shows up.
I got to Akihabara around an hour early, and had lunch and coffee at the Excelssior Cafe across the street. It was a usual busy Sunday in Akihabara, with the main boulevard closed and tons of people walking in every direction. I headed over to the Donki around five minutes before cutoff. Let’s get this over with. However….
When I got upstairs I was surprised to see that there was virtually no line whatsoever for the box office. Furthermore, there weren’t very many cancel machi people standing there either. A couple of minutes later they announced that anyone with cancel machi 60 or below could buy tickets immediately. Wow, so the cancel machi is going to BEGIN at 61? Could I possibly have a chance? From there staff was rapid firing cancel machi numbers, through the 60’s, 70’s 80’s, finally it began slowing down, and he announced the initial cutoff at 90….
After this staff asked all of the people who hadn’t won yet to come forward. Lo and behold, there were only nine of us left. After a short discussion, it was decided. We would ALL be getting to see the show today. WOW!!! (Actually, I think they originally planned to let eight of us in, but when they saw there were nine of us, they decided not to screw over just one person) I have said this many times, I have seen the cancel machi go all the way to 150 multiple times. So even if you think your chances are slim, never say never. But yeah, 137. For me this is the highest cancel machi I have personally ever won with.
So, this would be my 35th theater show, and the second time I won in July. That doesn’t count the July 11th cancel machi I had and lost. So technically, I almost had three wins this month. Glad to see my theater luck has changed for the good. This ALSO meant that I would be getting to see the 16th Gen kenkyuusei’s brand new stage that they just debuted on Friday night. I was stoked, and who cares if I would probably have a horrible vantage point. I was just glad to be part of the show. I was third to last in, and at first I didn’t see anywhere I could stand, so I shuffled all the way to the other side of the rear of the theater and found a spot. A minute later a family of three in front of me decided they didn’t like their spot and moved. So I moved up, and actually had a decent vantage point. The pillar was blocking the center of the stage, but other than that, I could see pretty much everything.
I had briefly read the stage setlist here on the forum Friday night, so I remembered what some of the songs would be. And frankly, I was really excited. SDN? Watarirouka? Old Team B? Great stuff! And of course I was happy to be seeing my favorite AKB48 member, Zunchan, and my other favorite kenkyuusei, Zukkii. I was really excited to see her solo performance of the Fujita Nana song.
The opening songlist has a lot of high energy numbers, highlighted by one of my favorite Team B songs, Minnasan mo go Issho ni. So in that, it was a lot of fun. However, on more than one occasion the members seemed out of sync with the song. The dancing was a little bit disorganized, the lip-syncing was way off, and the member who did the narrative part on ‘Minnasan’ did more panting than actual talking. (Was that Nanami? I don’t remember) So I think the members still need a bit more practice on this portion of the setlist to tighten things up.
I loved most of the unit selections, and Zukkii’s solo, plus Cross were both highlights. I was pleasantly surprised to see how well Yasuda Kana could center a song, especially a song like that. She was fierce. Of course I loved Kanpeki Guu no ne, especially since Zunchan was in it, and she was adorable. However, it seemed like they had the song slightly slowed down? Perhaps I was hearing things, but it just seemed slightly slower to me. the other two songs were alright, but didn’t stand out to me like the other three.
In the second half of the show, the girls seemed to be more into it, especially on Kodoku na Runner, Zutto Zutto, and especially ‘Wasshoi’ (Let’s Go Kenkyuusei) But it was around here that I noticed how much different the fans are at theater shows than they were when I used to go to the theater, and these song were new. Hardly anyone knows the calls to these songs anymore, and barely anyone knows the hand movements. Most of the people there are just waving penlights around. Oh, and I have the feeling hardly anybody there knew SDN at all, as I didn’t hear the distinct fan calls, or see the hand movements, at all for ‘Runner’. To me this is a disappointment. I know it is fun to wave penlights around, but in the old days of the theater hardly anyone brought penlights, but virtually everyone knew the calls and stuff. I think it was a lot more fun like that, and added to the energy of the performance. Penlights just don’t do that.
After the group shot, it was time for ‘High Wave.” There was another member who caught my eye a few times, but I don;t know her name. Oh well, she will have to capture me again. On the other hand, both Zunchan and Zukkii were great, and Yasuda Kana really impressed me a lot. And of course the little loli Sato Manami is cute.
At the end of the day, I was happy that I won the show, got to see Zunchan, and got to see a brand new stage. Since much of my luck seems to be with 16th gen shows, I look forward to hopefully winning the chance to see them perform this again, and perhaps they will be much improved.
CK in Tokyo